T-Rex (Puttin' Out the Good Vibes)

Steven Spielberg's America by Frederick Wasser
My rating: 3 of 5 stars

A well written but slight overview of Spielberg's films up to 2008. Wasser places Spielberg's filmography within the context of the shifting sociological and political landscape of 20th Century America. The overarching narrative traces Spielberg's beginnings in television and rapid rise in Hollywood with the release of Jaws and Close Encounters of the Third Kind. Influenced by New Hollywood style of the 1970s, Wasser argues Spielberg's mainstream tastes paved the way for his domination of pop culture during the 1980s. While his suburban epics and action adventures with Indiana Jones appeared to be in sync with the zeitgeist of Reagan's America, Wasser traces a growing political awareness in Spielberg's work. By engaging with history in The Color Purple, Schindler's List, Saving Private Ryan , and Munich he's asking audiences to reexamine the past and present. His sci-fi films Minority Report and War of the Worlds dealt with a post 9/11 world. My main criticism with the book is that all these films deserve much deeper analysis beyond historical context (even that seems short on depth). Some of Wasser's conclusions appear superficial, stuck between Spielberg's naysayers and proselytizers. For example, Wasser contends Schindler's List appealed to audiences because it celebrated capitalism? Too much Fredric Jameson for my taste. At the same he champions Minority Report as a modern masterpiece, which I would agree. Overall a good overview of Spielberg's long and fascinating career and a good starting point for identifying some key themes and motifs, but lacking in razor sharp analysis.


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Book Review: The City on the Edge of Forever: The Original Teleplay by Harlan Ellison

Often considered the greatest episode on the original Star Trek series, "The City on the Edge of Forever" by Harlan Ellison also fomented decades of acrimony over the heavily revised script that aired on April 6, 1967. Ellison's original script was altered at the behest of Star Trek creator Gene Rodenberry who did not consider it Star Trek enough. Ellison disavowed the episode in countless interviews over the years. His original script that earned a Hugo Award. The book includes the full original teleplay.

Ellison's 60+ page introduction attempts to set the record straight. Admittedly petty at times, Ellison wants to call out every falsehood about the creation of the episode, most of his vitriol is aimed at Roddenberry who often took credit for "saving" Ellison's unfilmable script.

The episode that aired focuses upon "The Guardians", ancient beings who oversee a time portal on the fringes of the universe. After a McCoy accidentally took some amphetamines he crosses one of the portals and changes history for the worse. Kirk and Spock also enter the portal and find themselves in the 1930s, trying to save their timeline. They meet Edith Keeler, a charismatic young woman who proselytizes for world peace. Kirk falls in love with Edith, but also learns that she has a certain fate planned for her that cannot be changed or there will be dire consequences for the future. The episode concludes with Kirk tragically standing aside as Edith dies to preserve the timeline.

A great episode full of great themes and inspired acting from the cast, one may wonder: What was Ellison so upset about?

First of all the teleplay is far more richer in theme and tone. Ambitious for 1960s episodic television, the script reads like a feature film. The original story involved drug dealing on the Enterprise and a more epic journey back to 1930 with some intriguing minor characters. Secondly, Ellison's dialogue is moving and philosophical. Not only a melancholy love story with Kirk and Edith, but also features some great dialogue between Kirk and Spock.

The script also explores the influence of individuals upon history, courageous sacrifices made by the nameless who were never recognized, and even on the ultimate nature and fate and humanity. All these are expressed through Eliison's eloquent language.

It's tempting to hope someday the script will be made as originally intended. Chris Pine and Zachary Quinto would be ideal to play Spock and Kirk, but that will probably never happen. It's such a Kirk/Spock centered story, it would have be made at the expense of other cast members. Still, it would be a cool movie.

The book also includes some extra revisions Ellison made and some reminiscences from the participants. A compelling read for Star Trek fans, but also for writers interested in writing for the small and big screen.